JC Sulzenko’s Line-a-day Poem

This is the blog form of the original composition. You may also read it as a list on one page.

  • A walk through fire;

  • maples illuminate paths

  • toward monochrome.

  • In yellow slicker

  • and blue boots, the boy catches

  • a double rainbow.

  • Against the wild wind —

  • the architecture of webs.

  • Spiders and prey swing.

  • Nothing stays the same

  • on a wrath of God dark day

  • in this holy wind.

  • A dragonfly falls.

  • Mica wings glitter, flutter.

  • Crack against concrete.

  • October sunrise

  • weaves a shawl of thanksgiving:

  • pearl gray, scarlet fringed.

  • Grass, frost-white at dawn.

  • Groves of skeleton shadows.

  • Still, still a robin.

  • Cormorants file East,

  • their histories strung along

  • lines and lines of waves.

  • A saw-whet, banded,

  • rests in her palm, lifts soft wings,

  • leaves her like a breath.

  • Jazz is a woman

  • not easily satisfied

  • by hands at her strings.

  • On Hallow’een, snow.

  • Vampires: mittened, in boots.

  • Nature’s trick and treat.

  • In miniature:

  • acrylic skulls, lace curtains,

  • handpainted cups, plates.

  • Part dollhouse dream, part funhouse.

  • Stairs spiral down to nothing.

  • What is this circus?

  • Like acrobats, lovers reach

  • toward a trapeze.

  • If they fall, they fall hard, hard.

  • Slaves to gravity can’t fly.

  • Stark on calm waters,

  • tundra swans’ fidelity:

  • white against slate-grey.

  • A morning choreographed.

  • Grace in every pas de deux.

  • We walk the shoreline

  • below dunes, high as ten men.

  • Geese mutter, shuffle.

  • We ascend the soft, steep slope.

  • Pass trees grown tall without soil.

  • A pause, a breath, then

  • into a white-powder bowl.

  • Distant waves chant as

  • grasses trace the wind’s cycles

  • in perfect semicircles.

  • Boot prints, small paw prints

  • suggest a way to the shore.

  • We follow on faith

  • until we stand, as pilgrims,

  • to worship on virgin ground.

  • Stillness, such stillness.

  • Even the wind, quieted.

  • Fresh tracks to the left:

  • pads much larger than a dog’s;

  • no human tread to tame them.

  • We take flight, career

  • down a harsh diagonal.

  • Geese fan to the bay.

  • In pale sunlight, take solace

  • in the elegance of swans.

  • Cornstalk stubble, white

  • fields, peppered with stalwart crows.

  • Lesser birds flee South.

  • She cannot find sleep.

  • In the tangled sheets of her mind,

  • crow-black trumps sheep-white.

  • Eyes closed, she seeks a sunset.

  • Not any sunset, but one

  • that can draw her to its night.

  • She invokes that sun.

  • Embraced by island cliffs and

  • mainland hills and bays,

  • the sea assumes its mantle:

  • languid, liquid, beaten gold.

  • A boat’s wake bisects

  • the surface; a thin, black line

  • between east and rest.

  • Becalmed, adrift, she floats on

  • eddies, with the current. Dreams.

  • A rival sunset

  • insinuates its profile.

  • Upstart? Unwelcome?

  • Freshwater sea, hard-shouldered;

  • headland pines in silhouette.

  • Flawless complexion,

  • framed by strands of cirrus clouds;

  • the spectrum of flames.