JC Sulzenko’s Line-a-day Poem

This is the blog form of the original composition. You may also read it as a list on one page.

  • A eulogy of snow falls

  • onto stone-cold April earth.

  • I turn Picasso.

  • To sculpt as worship or as

  • sacrilege, homage

  • or loathing: In wood? In stone?

  • What becomes you? Must I choose?

  • She is ninety-three.

  • Dosing, she breathes well: no pain.

  • Dribble wets her hands.

  • Whisper her name. She sleeps, still.

  • Why shout, wake her for nothing?

  • Blue tissue, ribbons.

  • Within lies Spring, hand knit, in

  • run-off colours, curled.

  • A garland, crafted by one

  • woman for her younger self.

  • Not exactly,no.

  • Black, white, grey: not her colours.

  • Fuchsia clothes her.

  • She creates for another,

  • full twenty years her junior.

  • That second woman

  • wishes to age like her friend:

  • lined, yet beautiful;

  • marked, not scarred; in hardship’s wake,

  • a traveller trav’ling light.

  • Nets strung, loose across

  • paths, through forest leaves and light,

  • to catch a warbler.

  • Covetous, the watchers wait,

  • crave beauty, indigo wings.

  • Vigil,ritual:

  • nets raised at sunrise;migrants

  • define the seasons.

  • From thin nylon threads, sure hands

  • unravel irredescence.

  • Pilgrims all and each

  • journey to sanctuaries,

  • waystations or home:

  • defined by what they seek there

  • or by what it is they find.

  • Salvation: a prize

  • or a curse. In the striving,

  • what is gained? What lost?

  • The spirit struggles, caught in

  • the cruel silks of perfection.

  • Clothed in rags and gold,

  • a penitent, forsaken,

  • seeks worlds in prayer,

  • sifts through sands of discontent

  • that run through, burn her fingers.

  • Sand against windshield:

  • she drives through clouds of mayflies,

  • black above asphalt.

  • Her final turn off pavement,

  • down a lane of spent lilacs.

  • What was she thinking?

  • ‘I need beauty, a place of

  • quiet water, stones.

  • Loons’ common laughter, gulls’ cries.

  • Virginia Woolf beside me.’

  • She abandons words

  • and brings a lesson of stones.

  • Awaiting nightfall,

  • she’s blind to cirri, radiant

  • at summer solstice sunset.

  • Her back to the land,

  • she no longer finds wonder

  • in whip-poor-will calls

  • or flickers of fireflies.

  • Weighed down, she swallows the lake.

  • At dawn, not a sound.

  • Why no warblers, no blue jays?

  • in the silence, in the deep,

  • beyond requiem.

  • An object to recover;

  • no longer a soul to save.

  • Why no chickadees?

  • Baystones on shore understand.

  • Ledges underwater know.

  • Her spirit submerged

  • in the silence, in the depths

  • beyond requiem.

  • An object to recover

  • with a boat and body bag.

  • On July the 2nd,

  • no longer celebrated,

  • a mother’s birthday

  • gives evidence her daughter

  • is no one’s child anymore.

  • A dove’s shallow nest

  • on a back deck’s cedar rail.

  • Two, closed-eye fledglings,

  • under a cascade of vines,

  • warmed by feathered breast and sun.

  • What stakes the moment

  • to abandon soft closeness:

  • A predator’s call?

  • New wings, tight-bound in the nest?