JC Sulzenko’s Line-a-day Poem

This is the blog form of the original composition. You may also read it as a list on one page.

  • in memory, still prevail.

  • What’s life without death?

  • Life eternal: valued less,

  • as would be diamonds,

  • if they deposed grains of sand

  • on shores of hourglass seas.

  • Eighteen pelicans

  • roost in one of four pine trees.

  • The entertainment:

  • White women, mainly sun-hatted,

  • stoop, pan for shells at high tide.

  • It’s not their ocean:

  • The two-legged creatures that can’t

  • glide, soar and plunge,

  • pouch a fish, swallow it whole,

  • leave a morsel for a tern.

  • Top heavy, these pines

  • grant superiority

  • to the pelicans.

  • At least, at this island’s shore,

  • their mastery, unchallenged.

  • Absence: Nowhere

  • to return from or to.

  • No beachside haven.

  • No cloud-crowned mountain summit.

  • No sun-blessed glade or bower.

  • No haven for thought,

  • not inside walls of cells or

  • metaphysical.

  • All absence rings: muted,

  • without breath, the balm of voice.

  • Glasses by the bed,

  • a hospital mattress, stripped.

  • Places cry empty,

  • even as music lingers,

  • still infuses memory.

  • Infused by absence,

  • rooms where he worked, whatever

  • he touched, survive him.

  • A concert grand, notes, books, wait

  • for his return from nowhere.

  • Blond, tanned, Eve waits

  • on the bridge to Bowman Beach;

  • her gown, high-waisted;

  • gold, sequinned flip-flops; a bouquet

  • of stem orchids, dyed turquoise.

  • This bridge to Eden

  • spans a rare-bird habitat.

  • Poised at its apex,

  • her spouse of twenty minutes

  • caresses her bare shoulder.

  • Two little bridesmaids

  • in aqua tuck under her wings,

  • make themselves so small

  • they fail to hide the new life

  • in their mother’s silk-draped womb.

  • Saturday morning,

  • a fox with dance and a feint

  • claims cliffs and shoreline

  • as his own, hoists his standard:

  • red on aqua silk, rampant.

  • We, the visitors,

  • his audience at ringside,

  • watch the tournament:

  • spike-crowned mergansers en garde;

  • the thrust and parry of waves.

  • Waters play restless,

  • even at this no-tide shore.

  • They lap, slap, clap till

  • after midnight calm returns,

  • summoned by the call of wolves.

  • Hands pull at harp strings,

  • as wind calls to high grasses,

  • ripples, rifles them.

  • Wild sheaves sway to its rhythms;

  • their heads bowed to melody.

  • Dead birds cannot sing.

  • Their melodies, lost to winds

  • that rouse high towers

  • to turn great blades of steel

  • that churn songs and soft feathers.

  • What will children hear

  • in forests bereft of trees,

  • fields without flowers?

  • No songbirds. No Chorus frogs.

  • Only a harsh hush, man-made.

  • She’s a madonna.

  • No man could ever paint her.

  • Brush stroke caresses,

  • lust-red, would taint his palette:

  • A saint, man-made, thus undone.

  • This woman: a myth

  • or real? Her calm tames sorrow.

  • Her tears bless the earth.

  • All creatures, worthy of love,

  • mourned whether full fair or plain.

  • The death of a child

  • gives her just reason to mourn

  • for eternity.

  • She will kindle love with loss